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Marina Abramović and the Height of Performance Art

The hits ring out across multiple floors of the Southbank Centre’s back hallways before going quiet for a long, tense moments of silence. It isn’t until the crowd thins that one can see, around the corner, the man in an all-black combat outfit with his face disguised by a black ski mask. Holding a dark police baton, he drags the instrument across the white walls, leaving a trail of rubber marks in his wake.read more.

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