Amanda lives and works in Bushwick Brooklyn. She is and artist and a freelance art critic also working for Carole Feuerman Studio. She has a solo exhibition currently in LES and will be showing at the Clio Art Fair in September 2024.

Currently Browsing: Amanda Wall

‘Fancy Dance’ Provides an Escape to the Sky World

Filmmaker Erica Tremblay is the first recipient of the Jaya Award, celebrating the achievements of an Indigenous filmmaker from North America who crafts women-centric narratives with compelling female leads.

Welcome to Women’s History Month 2025:

To celebrate, we are reposting tributes to some of the Swans who have made the greatest impact on our own lives. These are names & faces everyone should know!

I had the privilege of seeing Fancy Dance – directed by Erica Tremblay – at Barnard College, at a screening sponsored by the Athena Film Festival.… read more.

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Margaret Keane: Her Agency & Our FF2 Retribution

Walter Keane was a narcissistic, con artist who stole the identity of a real artist. Margaret Keane was a victim of a charming narcissist and pathological liar. In the 50s, with very few female artists represented by art galleries or the press, this is not a surprising tale. Today, Walter Keane could not manipulate society or the art world.… read more.

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Pipilotti Rist: Painting with Pixels in Immersive Exhibits

It’s a rare occasion that I have to visit two galleries for the rockstar Swiss artist of immersive video and installation, Pipilotti Rist, but my travels recently took me to New York City’s Hauser & Wirth and Luhring Augustine to experience exhibits by Pipilotti, each presented in their own ways.… read more.

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Joanna Hogg’s Film ‘The Souvenir Part II’ is Cinematic Art

In 2019, Richard Brody (New Yorker magazine’s art house film critic) criticized Joanna Hogg’s The Souvenir, writing: “A far more conventional director might have been inclined to ask more questions of the script, to show more of the action, to reveal more about the characters, and, as a result, to make a more engaging and insightful movie.”… read more.

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Painting from Privilege: On Quality and Commodity

While complacently writing positive reviews of art shows or interviews with artists I liked, the Universe handed me a personal encounter as a painter. This encounter with an art dealer fueled an existing, suppressed frustration. My story exposes, or rather, elaborates on an ongoing discourse amongst art critics about the commercialization and mediocrity of quality in our Contemporary art market.… read more.

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Carole A. Feuerman: Touching Eternity Beneath the Surface 

Lucky New Yorkers in the know – and even luckier visitors – are directing their friends to Sea Idylls, Carole Feuerman’s Monumental Exhibition on Park Avenue between 34th and 39th streets in Manhattan.

An extension of Carole’s solo exhibition at Galeries Bartoux at 104 Central Park South, swimmer goddesses cascade down Park Ave as if they found their perfect temple of worship.… read more.

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